Painting by Eugène Delacroix: Liberty Leading the People (French: La Liberté guidant le peuple) commemorates the July Revolution of 1830, which toppled King Charles X of France. A woman personifying the concept and the Goddess of Liberty leads the people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution — the tricolour flag, which remains France's national flag — in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting.

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Painting by Caspar David Friedrich: The Stages of Life (German: Die Lebensstufen) is an allegorical oil painting completed just five years before his death. This picture, like many of his works, forms a meditation both on his own mortality and on the transience of life. The painting is set on a sea shore and shows in the foreground an aged man with his back turned to the viewer, walking towards two adults and two children on a hilltop overlooking a harbour. The figures are echoed by five ships shown in the harbour, each at a different distance from the shore, an allegorical reference to the different stages of human life, to the end of a journey, to the closeness of death. The figures have been identified as Friedrich and his family. The aged man is the artist himself, the small boy is his young son Gustav Adolf, the young girl is his daughter Agnes Adelheid, the older girl is his daughter Emma, and the man in the top hat is his nephew Johann Heinrich.}The Stages of Life (German: Die Lebensstufen) is an allegorical oil painting of 1835 by the German Romantic landscape painter Caspar David Friedrich. Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life. The painting is set on a sea shore and shows in the foreground an aged man with his back turned to the viewer, walking towards two adults and two children on a hilltop overlooking a harbour. The figures are echoed by five ships shown in the harbour, each at a different distance from the shore, an allegorical reference to the different stages of human life, to the end of a journey, to the closeness of death. The figures have been identified as Friedrich and his family. The aged man is the artist himself, the small boy is his young son Gustav Adolf, the young girl is his daughter Agnes Adelheid, the older girl is his daughter Emma, and the man in the top hat is his nephew Johann Heinrich.

Painting by : View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, commonly known as The Oxbow, is a seminal landscape painting by Thomas Cole, founder of the Hudson River School. The painting depicts a Romantic panorama of the Connecticut River Valley just after a thunderstorm. It has been interpreted as a confrontation between wilderness and civilization.

Daguerreotype by Louis Daguerre: Still life with plaster casts is the earliest, reliably dated daguerreotype.

Daguerreotype by Louis Daguerre: The earliest reliably dated photograph of people, taken one spring morning in 1838 from the window of the Diorama, where Daguerre lived and worked. It bears the caption huit heure du matin (8 a.m.). Though it shows the busy Boulevard du Temple, the long exposure time (about ten or twelve minutes) meant that moving traffic cannot be seen; however, the bootblack and his customer at lower left remained still long enough to be distinctly visible. The building signage at the upper left shows that the image is laterally (left-right) reversed, as were most daguerreotypes.

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