Painting by Antonio da Correggio: Jupiter and Io, an oil on canvas measuring 73.5 cm wide by 162 cm tall (29 in wide by 64 in tall). It depicts a sensuous seduction from Metamorphoses, an epic poem by the ancient Roman writer Ovid. In this particular scene the Roman god Jupiter, in the form of a misty cloud, approaches the beautiful Io who was a river nymph and a princess of Argos and/or a priestess to the goddess Juno. This mortal woman succumbs to her divine lover as the stormy dark mist kisses her rose-and-lily face and caresses her soft white flesh. Her head is thrown back in passionate ecstasy while her fingers and toes curl in orgasmic pleasure. This highly erotic scene displays extraordinary sensuality but with easy delicate tenderness. Correggio's masterpiece is probably the most famous painting depicting Jupiter's seduction of Io. It was commissioned by Federico II Gonzaga, Duke of Mantua, to join three other erotic paintings based upon Metamorphoses. The four-part series was originally intended as a gift for Charles V, Holy Roman Emperor, but Federico II Gonzaga loved them so much that he kept them for himself. He placed them in a large room, which he named the Room of Ovid, in his Palazzo del Te in Mantua. Ironically, the duke only enjoyed these amorous paintings for less than 10 years as he died in 1540 from syphilis.

Painting by Jean Clouet: Portrait of Francis I, King of France.

Painting by Antonio da Correggio: Leda and the Swan, an oil on canvas painting from 1530–31 by the Italian painter Correggio, now in the Gemäldegalerie in Berlin. It shows three scenes of Leda's seduction by Jupiter who has taken the form of a swan. Their first meeting is shown on the right hand side and their lovemaking in the center, where Leda sits with the swan between her thighs, guiding him with her left hand. They are accompanied to their left by Cupid with his bow and two cupids with flutes. The third scene (again on the right hand side) is the swan flying away whilst Leda gets dressed. Leda and the Swan was a common subject in 16th-century art.

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Painting by Hans Holbein (the Younger): The Ambassadors, also known as Jean de Dinteville and Georges de Selve, after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. As well as being a double portrait, the painting contains a still life of meticulously rendered objects, the meaning of which is the cause of much debate. An array of expensive scientific objects, related to knowing the time and the cosmos are prominently displayed. Several refer to Rome, the seat of the Pope. A second shelf of objects shows a lute with a broken string, a symbol of discord, next to a hymnal composed by Martin Luther. It incorporates one of the best-known examples of anamorphosis in painting. While most scholars have taken the view that the painting should be viewed side on to see the skull, others believe a glass tube was used to see the skull head on. Either way, death is both prominent and obscured until discovered. Less easily spotted is a carving of Jesus on a crucifix, half hidden behind a curtain at the top left. The Ambassadors has been part of London's National Gallery collection since its purchase in 1890. It was extensively restored in 1997, leading to criticism, in particular that the skull's dimensions had been changed.

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Painting by Hans Holbein (the younger): Portrait of Anne of Clèves. In 1539, Holbein was sent to Düren, in the Duchy of Clèves, to paint a portrait of Anne of Clèves (1515–1557) as a possible candidate for marriage. The marriage was arranged by Henry's chief advisor, Thomas Cromwell. The portrait was painted by Holbein so that Henry could see what his future bride looked like. Based on the portrait, Henry had a swipe right reaction, but when he finally met her in person, he was greatly disappointed. Anne was King Henry VIII's fourth queen. Her marriage to Henry was the shortest of all the six queens, officially lasting just six months. Anne was given a large settlement, which made her very wealthy. She was granted the title King's Sister and went on to live a very comfortable, independent life, outliving Henry, his other wives and his son, Edward.